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This web is where I weave my wacky.

Enjoy.

 

 

I write about all sorts of things. To see a specific category, 

 click a link on the left or the tag at the bottom of a post.

 

 

Entries from February 1, 2012 - February 29, 2012

Monday
Feb202012

9 to 5 - Blown away

   

 

 

 

 

 

 

We have a good time, our team. 

We joke, we laugh, we tease each other.  There are even in-jokes which are based on stories or traditions which go back way before  I joined the team, but which I have been included in through the telling and retelling, the referencing and rereferencing. 

Say the word "SURPRISE!" in a certain accent and we all collapse in stitches.

There are three of us that are the key culprits.  Let's call my dear partners in crime Sarge and Beetle Bailey

We go and buy coffee at the little counter in our building at least three times a day. 

So we're down getting our caffeine boosts the other day, and I was chatting to one of the baristos.  He was standing between me and the counter with the milk and sugar, so I was talking towards anyone sprinkling nutmeg on their latte. 

I was telling him about the conversation I had with Fluffy Bear about him continually killing his horse because he took the wrong route down a mountain while playing a video game.  I don't care if both he and the horse come back to life - it's just cruel, that's what it is.  The one time the horse even died because of a wolf attack, for fuck's sake!

Baristo laughed and told me we should get two TVs.  I rolled my eyes and he said that he plays video games on his TV, and his wife sits next to him on the couch, headphones on, watching trashy reality TV shows on her laptop.

 

"If she told me I was mean to kill my horse," he quipped, "I'd be like: 'What's up, Honey?  Did one of the people on your show break a nail?' "

 

Of course I burst out laughing, and I do not - to put it mildly - have a quiet laugh. 

On the other side of the counter, I saw my colleagues as I lowered my head from it being thrown back for the guffaw.  Sarge and Beetle Bailey were both going "Sh!"

 

"Shut up!" I snapped at them.  "We're not in the office!  I don't have to be quiet!"

 

It took a moment, but I realized that there was someone at the milk and sugar counter.  She was a small woman and - I swear to God - I had not noticed her at all up until this point.  And I had yelled at my colleagues directly over her head.  I felt bad.

 

"Excuse me.  I just realized that I yelled right across you," I said to her.  "I'm so sorry.  That was very rude of me."

 

She nodded, not turning towards me or making eye contact, and told me it was OK.  She then proceeded to detail her medical condition which caused her to react to sound especially unexpected sounds at higher than normal decibel volume in a way that made her lose her balance, and she didn't have her walking stick that day but she was able to grab onto the counter so it was allright and thank you and she had to go now.

And she hobbled away.

And I'm thinking... What.  The.  Fuck?

Sarge and Beetle Bailey then gleefully proceeded to both describe and - of course! - demonstrate to me the woman's reaction to my laugh, which had apparently been to be blown sideways like a poor innocent bystander when the Roadrunner screams by.

So now I'm known as ShesSoLoudSheBlowsYouAway.

Ha. Ha. Bloody. Ha.

 

 

To read more in this series, click here.

You might like:

 

Sunday
Feb192012

Being a Doggy Mama - Canine Complaint Call Center

 
 
 
 
 
 
 
 
 
 
 
 
 
 
<CLICK>
 
Thank you for calling the Canine Complaint Call Center.  
Your call is important to us.   Please stay on the line while we direct you to our state of the art system, which will make sure you receive impeccable service, dynamically customized to our needs and delivering up to the minute information.
 
<CLICK>
 
Please tell us how we can help you.  
You will hear a list of issues, so please have a pen ready to write down the number - or numbers - that correspond to your issue.  
You are welcome to choose more than one.  
If they are separate, please put a zero between them.  If they are connected, simply use your phone keypad to type in each letter, one after the other, preferably in the order of your perception of the priority of the issues.
 
Press 1 to repeat these instructions.
 
Press 2 to pause to go and get a pen and paper.  
 
Press 3 to continue.
  
<CLICK>
 
Press 1 for.  Issues with feces or urine.
 
Press 2 for.  Issues with your dog eating their food or drinking their water.
 
Press 3 for.  Issues with drooling.
 
Press 4 for.  Issues with your dog affecting your meal times.
 
Press 5 for.  Issues with barking.
 
Press 6 for.  Issues with excessive agression or timidity.
 
Press 7 for.  Issues with breeding.
 
Press 8 for.  Issues with training.
 
Press 9 for.  Any other issue.
 
<BEEP.  BEEP.>
 
You pressed.  
 
Four and.  
 
Three.  
 
Is this correct?  Press 1 for yes and 2 for no.
  
<BEEP>
  
Good.  If I understand you correctly, you have issues with.
 
Your dog drooling.
 
And.
 
Also with.
 
Your dog's behaviour affecting your meal times.  
 
Can you tell me a little more about these two issues?
  
First, what breed is your dog?  Please use the letters on your phone keypad to spell out the breed name.
  
<BEEP.  BEEP.  BEEP.  BEEP.  BEEP.  BEEP.  BEEP.>
 
I think you indicated.  
 
Labrador.  Is that correct?  Press 1 for yes and 2 for no.
 
<BEEP>
  
Drooling and.
 
Labradors.  Labradors do not tend to drool excessively.  
 
Does your dog have a medical condition that makes him or her drool?  Press 1 for yes and 2 for no.
 
<BEEP>
  
Good.
 
Is the drooling related to your dog seeing you eat?  Press 1 for yes and 2 for no.
 
<BEEP>
  
OK.
 
Does your dog sit in a special place, away from it's humans, when you eat?  Press 1 for yes and 2 for no.
 
<BEEP>
  
It is a good idea to train your dog to sit in a specific place, away from the diners, while the humans in the house are eating.
  
Does your dog sit right in front of you, or right next to you, as you eat?  Press 1 for yes and 2 for no.
 
<BEEP>
  
That is not a good idea.
  
Does your dog drool on your feet?  Press 1 for yes and 2 for no.
 
<BEEP>
  
That is not a good idea.  That is not a good idea.
 
Have you, or do you, give your dog food from your plate while you are eating?  Press 1 for yes and 2 for no.
 
<BEEP>
That is not a good idea.  That is not a good idea.  That is not a good idea.
  
Do you allow your dog to lick your plate after you have finished eating?  Press 1 for yes and 2 for no.
 
<BEEP>
  
You are a lost cause.  Good luck with that.  You will now be disconnected.
<CLICK>
To read the rest in this series, click the Doggy Mama tag below.
 

Friday
Feb172012

Dear Diary - I want my father back

 
 
 
 
 
 
 
 
 
 
 
Why am I awake at 5am, sneakily searching every drawer in the house till I find that one lonely Nicorette gum that's been lying there for over 6 months since I quit?
 
Stress, that's why.
 
 
(For those of you who are ex-smokers who are yelling "NOOOOOOO!" right now, let me reassure you that the Nicorette has already made me feel ill and I am SO not back on the wagon.)
  
 
What's this got to do with wanting my father back?
 
Well, that took me about three months to figure out, and I'm still not sure I've got it sorted.
 
"I want my father back.  I want my father back."
 
It kept coming to me, rising up from my subconscious, so bad that sometimes I'll mumble it out loud.  This has been going on for a while, now.
 
Ah, therapy!  Thank God for therapy - muse to my self-knowledge.
 
"It's incredible," I said to She's So Lovely, my therapist, yesterday.  "When I come in here and talk to you about what's going on with me, a massive light bulb always comes on --"  I looked up to the right and then shielded my eyes -- "and it blinds me and I want to ignore it.  Aaargh!"
 
We spend the rest of the hour - which flew by - figuring this stuff out.  So let me break it down for you, Dear Diary.
 
I was stressed out becuase I'd had a bad day at work and I'd had been too passionate in a meeting, going up against a person who is considerably higher up the totem pole than  I am and - worst of all - that I like and respect.  
 
Her team is under a lot of pressure and people are complaining about them.  I feel like we're back in high school and she's the scapegoat that all the kids are talking about behind her back because, you know kids, once it starts, it escalates, and they all turn on one person in the pack, even if only through releif that they aren't the one under attack. 
  
I have tried, repeatedly, to defend her and her team, and to get her to engage with my team and others to talk through the changes she is making, the reasoning behind them and how we will work together in future.  But she's busy as hell and kept putting off engaging with us.  Finally, she came to our meeting 20 minutes late yesterday and she just wasn't getting that we need to talk this stuff through.  So I hit out a bit.  
  
I called her to apologize later, and explained to her my high school analogy and left a rambling, insane voicemail.  I can feel you cringing as you read this.
  
Not my finest hour.  
 
So I know you're still asking, what does my stupidity have to do with wanting my father back?  And where did he go, anyway?
 
Well, he's dead, for a start, so he's not coming back.  
 
And it's not about him, really, anyway.
 
That's what I couldn't figure out till yesterday.  My father and I did not have the best relationship.  He was very controlling (hence my issues with authority - don't get me near any sexist military men unless you want to see fur fly), and I guess he did his best, but he wasn't the most approachable man.
  
So why were the words "I want my father back" ringing through my head all the time?
 
Well, because of various things, I am having to step up these days.  I am the primary bread winner, I have a job where I stand alone, a team of one, achieving goals only through influence and having to prove the concept of a role that was created as a new function, a role created especially for me.  I interface with very senior people, I have to stay positive in the face of a culture of complaint, and everything seems to take five times as long as it should to get done.  I don't have my family to fall back - they live a million miles away - we don't have the money for a vacation or major enteratainment or a spa day and retail therapy is out of the question.  
 
And so it's up to me, and there's no respite.
 
I don't have my father - symbol of strength, provider, safety net - anymore.  I can't climb up on his lap and be embraced, held and just  know that he'll take care of everything.  He isn't here to fight for me, advise me, protect me.
 
And I'm tired.  
 
And I'm scared.
 
And I'm fucking up now and then.
 
And I want my father back.
 
 
 
To read more in this navel-gazing series, click here.
 
You might like:
   
 
Sunday
Feb122012

Short Story / Unfinished Novel - Simon Says 

 
 
 
 
 

 

I have ideas. I write them down. And then I do nothing. Because it takes too much self-discipline and time to write a book. So here it is...

Maybe it's a story. Maybe it's part of a novel I won't write.

  
 
 
 
 
It had been a wonderful holiday, until someone grabbed him around the neck.
 
Simon had compared his hand and foot size to his idols at the Chinese Theatre, walked along Rodeo drive and finally - after endless driving up side streets and illegal parking - got a decent picture of the Hollywood sign.  As he walked back to his hotel room, his mind had been full of thoughts of the VIP Universal Studios tour he was booked on the following day.  He was therefore completely oblivious to the fact that this hotel corridor should be any different to the thousands of bland, instantly forgettable passage ways in the rest of the building.  
 
One doesn't expect to be grabbed from behind.  Simon froze, then flailed a little, then froze again.  The man was big, and well built.  He smelt of sweat, with the metallic tinge of blood.
 
"I'm not going to hurt you," he panted in Simon's ear.
   
Isn't it funny where your thoughts go in these moments?  Simon found himself thinking that he'd rather prefer the last words he heard not be such a damn cliche.
 
The man threw Simon into the room, falling backwards to close the door, then lurched after Simon, who was crawling backwards and kept on doing so until he hit the bedroom wall.  
 
Simon did a mental inventory of the contents of his backpack, which he had somehow held onto through all this:
 
  • Let's Go California guide book
  • Sunscreen
  • LA Angels Baseball Cap
  • Sunglasses
  • Starbucks water bottle, empty
  • Moleskin notebook
  • iPhone charger
  • US plug adapter
  • Passport
  • Wallet
    • $43
    • £20
    • Oyster card
    • Mastercard
    • Lottery ticket 
  • Plain white T shirt from the GAP
 
All useless in his current situation.
 
Fuck it.
 
"Don't wet your pants," he muttered to himself.  "Don't be a hero.  Don't wet your pants."
 "What the fuck you sayin'?" panted the man, as he half fell, half sat on the bed.
 
Simon looked over at him, this man dressed in only a hotel bathrobe, breathing heavily, slumped a little to the right.  Then Simon saw him.  
 
"Bloody hell!" he spat.  "Are you Denzel Washington?"
   
There was a long pause.
  
"Sure," the man said, "I'm Denzel Washington, and I need your help."
  
Simon stood up and helped Denzel Washington lie backwards.  He didn't quite know what to say when Denzel Washington opened his robe, revealing his belly and... other things.
 
"I'm not gay!" Simon blurted.
 "I don't give a fuck what you are," Denzel Washington spat.  "Just take this."
   
He was pinching a bit of flesh and skin just above his hip.  Simon leant forward.  There seemed to be a small incision, bleeding slightly.  
  
 "I'm not quite sure what you---"
"Squeeze it out of me.  Squeeze it out.  Take it.  Go.  Take it to the nearest CIA building.  Tell them Orchid 73.  That's all you say.  Orchid 73, until they get you Pat Baird.  B. A. I. R. D.  No one else.  Make him show you his tattoo on his shoulder.  Betty Boop.  Say Orchid 73."
"Squeeze it?  You're, um, you're bleeding."
"Fucking do it, Motherfucker!"   
  
It was a small cylinder.  Simon washed the blood off it in the bathroom, panicking when he dropped it, then grateful he'd thought to close the plug in the basin.  
  
"Keep it safe.  Somewhere safe," Denzel Washington stage whispered from the bed.
"I am --- look."
  
He stood in front of Denzel Washington and took the ink cartridge out of his favorite pen and stuck the cylinder in it and dropped it into the inside zip pocket of his backpack.  
  
"Aspiring script writer," he explained, with an apologetic shrug that only those born and bred in England can perfect.
"Get out," replied Denzel Washington.  "Go. Go."
 "Right."  Simon switched to his Get Things Done Voice.  "Right."
   
The pop was practically inaudible.  In some part of his brain, Simon actually wasted time being disappointed that the whole window hadn't exploded inwards, showering him and Denzel Washington with a musical tinkling sound.  
 
No.  There was just a twitch from Denzel Washington, and a change in the sunlight through the window because of a small hole in the pane.  But it was enough to trigger the right reaction in Simon.
 
He dropped to his knees.  He scrabbled towards the door, grabbing his backpack.  He lurched into the corridor.  He ran into the fire escape stairwell.  
 
"The roof," he told himself as he pitter pattered upwards, taking one step at a time in an awkward jog.  "Always go to the roof."
  
The sunlight was jarring.  Simon mentally calculated the risk vs. reward of stopping to get his sunglasses out of his backpack, and decided being able to see was a definite strategic advantage.  
  
Unlike the shot through the window, this time, it was exactly like the sound in the movies.  There was the DOOF! and soft mini-hiss of the dirt on the rooftop rising when the shots hit a few yards in front of him.  
 
Shit.
  
He scurried between the wall and some kind of massive outlet pipe.
  
"I need help," he whimpered.
  
The voice came from under a massive satellite dish.
  
"Time to gooh, laddie!" 
  
Simon spotted his fellow roof mate.
  
"Sean Connery!"
"No, lad.  Bond, James Bond."
"Of course of course!  Um, how are we going to get out of here?"
"Jet pack."
  
There was a high pitched sound as James Bond activated a switch in his backpack (way cooler than Simon's), which then contorted to reveal a shining silver contraption.  James Bond gave Simon the thumbs up.
   
"You rrrrready?"
"Wait!"
"Wha'?"
"I don't have a jet pack."
"Bad luck."
"Can I come with you on yours?"
"Nae, Lad.  M made it ferrr me anna maximum a size 0, double D wiman under 120 pounds.  Goo luck!"
   
 
 
There's a flash as Sean Connery takes off into the sun.
  
Then Simon encounters Jason Bourne, who encourages him to jump across the alleyway onto the roof of the next building.  They run together, but Jason makes it across and Simon doesn't.  He ends up hanging onto the edge of the building, crying because it hurts his hands so much.  He looks up and asks Jason Bourne to help him, but Jason says he can't because he isn't real.
 
Simon bumbles through a spy situation, encountering major spy characters along the way who help him somewhat, but tend to stick more to their cliches.
  
When Simon finally does get to a CIA office, he gets put into an interrogation room, but they send him junior person.  He refuses to speak until Baird comes, and we see the CIA staff in a situation room looking Simon up.  They say that he has a history of mentall illness and just gave up a job at an Amazon warehouse West of London.   We hear Timothy Dalton and Pierce Brosan have restraining orders out on him.  
 
As Baird debriefs him, we slowly separate fact from fantasy, but Simon never does.
   
To read more unfinished stories, click here.